Can we take our entire studios with us when we travel? Not unless we are staying for extended periods of time, and want to be burdened with “Mt. Baggage”! This is an actual drawing from my journal on my first art trip to Europe when I took an oil workshop. I had a wooden French half easel, oil paints, brushes, canvas, stretcher bars, paper towels, a staple gun, etc. It was ridiculous!
Just my carry on load made me feel like a beast of burden. You know how it goes….you just HAVE to have this color, then maybe you can’t live with out this one, and what about that new favorite? It just escalates until the little Italian cab driver tries to lift your suitcase and cries out “MAMMA MIA!” as he grabs his back.
So what can we do? Oils are too bulky and dry too slow, plus transporting the solvents is impossible. Acrylics dry OK, and clean up with water, but are still bulky. Watercolors are too fragile. If they get damp or spilled on they can be ruined. This pretty much leaves us with drawing: either in a separate sketchbook or in an illustrated journal.
So, do you take a separate sketchbook or combine your drawings with a written journal? I know drawing is a focus every day for me. However, if you are traveling with non-artists or you know that you will not specifically dedicate drawing time each day, there is a lot to be said for a small journal/sketchbook combination that you can stick in your purse or pocket. It allows you to spontaneously record a written or drawn impression throughout the course of the day when the feeling is fresh.